| The Bug Delivers a Cleansing Fire After a Traumatic Year | August 24, 2021 |
Kevin Martin's latest project as The Bug is a celebration of loudness, bass, intensity and the human voice for its own sake.
PIERI’s music is a reminder that attitude is a universal language.
| Don’t Die, My Dude: Isaiah Rashad’s ‘The House is Burning’ | August 10, 2021 |
Death looms large on Rashad's latest, but he’s chosen not to die -- experiencing the joy of reaching that decision and the understanding of how his actions could ripple out.
| Gloria’s ‘Sabbat Matters’ Pays Homage to the History of 60s Girls Groups, But Is Unlike Anything Being Made Today | August 5, 2021 |
Alexis Morel's passion for vocal harmonies and rock history shines through on the collaborative Gloria LP.
| Raving Through the End of the World: Go_a’s “Shum” | July 21, 2021 |
The Ukrainian Eurovision representative's song “Shum” is the sound of the spirits of the woods taking over while the human world is coming to a violent end.
Michael McKinney breaks down the various-artist cassette 'heartland,' and its cosmic grandeur.
Joel Biswas details billy woods and Elucid's new collaboration with The Alchemist, an album that puts the trio at at the center of the subterranean zeitgeist.
| There’s No Place Like Home on “EasterGunn Day 4” | April 9, 2021 |
Mach-Hommy returns to the Griselda fold as he and Westside Gunn tear the “Hollow Bones” instrumental to shreds. Douglas Martin investigates.
From the brink, Earl Sweatshirt delivers his finest album yet.
Would you rather listen to Wale and Jerry Seinfeld or Open Mike Eagle and Hannibal Buress? The choice is yours.
