When Mount Kimbie first rappelled down the slope, every music writer pegged them as post-dubstep. Three years later, no one is quite clear what that meant. Presumably, it meant vocals, song structure, and sonic shades that could appeal to more than the color-blind. Crooks & Lovers remains one of the best records of 2010; it […]

When Mount Kimbie first emerged from the ashes of the dubstep scene in 2009, they were quickly tagged with the “post-dubstep” distinction along with their friend James Blake. By 2012 though, dubstep had become a dirty word altogether and with the rise of EDM and “bro-step,” virtually no one wants to align themselves with the […]