50 Cent Tries to Hold On | March 17, 2014 |
Harold Stallworth steers clear of candy shops and amusement parks. Last month, somewhere about Valentine’s Day, 50 Cent announced his departure from Interscope Records via press release. After a nearly decade-long tenure on the affluent label, he’s finally taking his G-Unit imprint independent with the help of Caroline Distribution. Things look bleak for the crack […]
The Living Daylights of Willie the Kid | March 9, 2014 |
Harold Stallworth is the self-proclaimed lord of alliteration. When I interviewed Michigan rapper Willie The Kid circa 2011, he hinted toward a forthcoming LP produced entirely by Cookin’ Soul. He claimed the project was reminiscent of It Was Written, a summer album that was, in his words, “smooth but jagged at the same time.” At his best, […]
Figaro Side: A Look at MF Doom Live | March 5, 2014 |
Harold Stallworth owns several copies of Masta Killa’s live album. During the filming of the first three seasons of Louie, the show’s lead, Louis C.K., never rehearsed his lines beforehand. He subscribes to the theory that intense repetition compromises the authenticity of a theatrical performance; that practice, does not in fact, always make perfect. In […]
Flea Market Film Review: Envy (Starring AZ) | March 3, 2014 |
Harold Stallworth has an adulthood crush on LisaRaye McCoy. E1 Entertainment’s buddy-crime flick, Envy, stars the unlikely duo of rapper Anthony “AZ” Cruz and pop singer William “Ray J” Norwood. Before its unceremonious straight-to-DVD release in 2009, the film was shelved for the better half of a decade. This dates the original taping all […]
The Return of The Migos: No Label 2 | February 27, 2014 |
Harold Stallworth is signed to Biv 10 Records. With the exception of Wu-Tang Clan’s world-igniting double disc and the Rhythm Blunt Cru’s wayward Dirty 30 LP, I’m of the opinion that no rap album warrants more than two dozen tracks. So it should go without saying that Migos’ impromptu release, No Label 2, weighing in at […]
Shy Glizzy, Young Jefe | February 18, 2014 |
Harold Stallworth’s pen name is Don Cartagena. At some point throughout their career, every rapper worth their salt cultivates a latin-tinged pseudonym: Escobar, Hovito, Champagne Papi. It’s a storied tradition. Shy Glizzy, arguably the most promising young talent Washington D.C.’s rap scene has to offer, becomes the latest to throw his hat into the ring […]
Ray West & O.C. Quietly Drop a Good Album | February 4, 2014 |
Harold Stallworth is a grown ass man. O.C.’s collaborative EP with Ray West, Ray’s Café, qualifies as what the Passion of the Weiss staff affectionately calls “grown man rap.” In fact, it’s so grown-up that the Red Apples 45’s creative art director took care to spell it with a tilde. G.M.R. means a lot of different […]
Harold Stallworth has a thing for Joan Pringle. Have you ever noticed that the golden eras for black movie soundtracks coincide with the surge and resurgence of the American durag? Perhaps if we all wore our stocking caps to work next week, The Alchemist would score the next Steve McQueen film. In the meantime, dig […]
Migos — No Pad, No Pencil | November 25, 2013 |
Harold Stallworth freelances with his father’s features. It’s hard to fathom an existence without album intros. Imagine Stillmatic stripped of its triumphant preamble, The Chronic deprived of Snoop’s homoerotic taunts, or Fishscale launching directly into “Shakey Dog” before Ghostface has the chance to toil over Wu-Tang Clan’s fall from commercial grace. The lost intro from […]