| The End of Days: Ab-Soul’s New Album | July 8, 2014 |
Max Bell carried the cross so you could play Candy Crush 2012’s Control System was an inspired and unforeseen coup. Ab-Soul brought inquisition and introspection, paranoia and conspiracy theories by the oz. There were hits of DMT, witty wordplay, and pineal gland prodding. It was the Carson native’s claim to the title of ‘Best Behind […]
| The Illuminations of Ab-Soul | January 16, 2013 |
If there was one record from 2012 that combined the drug-addled sociopolitical paranoia of Hunter S. Thompson’s Fear and Loathing in Las Vegas, the wandering and ever-questioning quest for self-discovery burned and soaked into the pages (not the recent film-adaptation) of Kerouac’s On the Road, and the maddening inquiry into the darkness of the human […]
| The Top 50 Albums of 2012 | December 24, 2012 |
On a Previous Episode of the Passion of the Weiss: The Top 50 Albums of: 2011; 2010; 2009, 2008, 2007, 2006 50. House Shoes – Let it Go [Tres] No best album list is complete without something from Detroit. Nowhere else is as no frills and unvarnished. It operates as a palate cleanser to remind […]
| The Top 50 Albums of 2012 (#50-26) | December 20, 2012 |
On a Previous Episode of the Passion of the Weiss: The Top 50 Albums of: 2011; 2010; 2009, 2008, 2007, 2006 50. House Shoes – Let it Go [Tres] No best album list is complete without something from Detroit. Nowhere else is as no frills and unvarnished. It operates as a palate cleanser […]
