Donna-Claire dives into why there's no need to pick apart or over-analyze the complexity of billy woods and his music – especially on his latest album Maps, yet another masterful performance.

Chris Daly shares his brief thoughts on what makes DJ Platurn's latest, 'Doce Galaxias' such a fun and rewarding listen.

On his latest, Chris Crack offers a reimagination of steppers music for the modern generation, conveyed through a futuristic recontextualization of Drake.

A little over a year after his tragic passing, Young Dolph is immortalized with his new posthumous project that showcases evidence of stylistic evolution.

The problem with 'It’s Only Me' isn’t that the songs are not good, it’s that the combined product does not add up to standalone greatness bigger than its individual parts, Will Hagle writes.

On the eve of Freddie Gibbs' latest record 'Soul Sold Separately' releasing, Will Hagle ranks the rapper's past projects and revisits the eras that made him one of the game's most consistent talents.

Shrapknel has fully clicked as a duo, with the group’s chemistry gelling into a brand-new animal, Son Raw writes.

FKJ's second full-length album further establishes him as a purveyor of music that never fails to percolate, Chris Daly writes.

Avalanche Kaito's new project is punk in every sense of the word, a sound that transgresses and deconstructs, but also has the virtue of advancing traditional West African music, Leonel writes.

On Gunn's latest, a result of a 48-hour recording marathon, he farms out the creative work to a corps of b-list genre artists in an effort to reach a “museum rap" pinnacle.