| The Rap-Up: Week of November 8, 2021 | November 8, 2021 |
Harley Geffner's Rap-Up returns to discuss Kodak Black's de-platforming while highlighting new music from EBK Young Joc, Skilla Baby, CEO Trayle and more.
| Fly Guy Code: Season 3 Episode 4: Lion In The Meadow – “Beatles Put Out Some of Their Best Shit When They Were Suing Each Other” | November 8, 2021 |
Abe Beame and Jayson Buford dissect Logan's health, Stewy conspiracy theories, Kendall's sartorial selections and more.
| Noise Pollution: Sam Wilkes Forever & More Solo Saxophone | November 4, 2021 |
Noise Pollution returns with words on new ones from Sam Wilkes, Hayden Thorpe, and Patrick Shiroishi.
| “I Don’t Have To Be Anyone Else When I Get On the Beat”: An Interview With Offset Jim | November 3, 2021 |
The Oakland rapper explains how his life and hometown have changed since he's blown up, how he started rapping in the first place and what's to come after 'Rich Off the Pack.'
| Afro Jams of the Week: November 3, 2021 | November 2, 2021 |
Leonel Manzanares de la Rosa returns with the best Afro Jams of the Week from Uganda, South Africa, Kenya and more.
| “A Man’s Gotta Have a Code”: Michael K. Williams and ‘The Wire’ | November 1, 2021 |
Michael K. Williams' portrayal of Omar had a significant impact on our cultural Imaginary writes Walker Armstrong.
| The Rap-Up: Week of November 1, 2021 | November 1, 2021 |
Brandon Callender's Rap-Up returns with new tracks from Ot7 Quanny, Brian Brown, ZAYALLCAPS and more.
| Fly Code Guy: Season 3 Episode 3: The Disruption – “A Combine Harvester in a Wheatfield of Dicks” | November 1, 2021 |
Abe Beame and Jayson Buford return to discuss the masochistic "Good Tweet, Bad Tweet," Wambsgan's true intentions and more from Succession's third episode.
| “I’d Rather Drop You in the Middle of a Discussion Than Tell You What to Think”: An Interview With Injury Reserve | October 29, 2021 |
Parker Corey and Ritchie with a T detail their improvisational live show that inspired their new album, the state of music journalism, and the late, great Stepa J. Groggs.
| Fighting for ‘The French Dispatch’ | October 28, 2021 |
Wes Anderson's latest isn't just an ode to journalism. It’s about dedication to craft and the philosophy that art doesn’t draw a straight line to minimize risk and maximize profit. Abe Beame writes.
