Michael McKinney speaks to the singer/thespian about being introduced to music through gospel in the church, singing as a form of release, being inspired by science fiction while creating her new album Exit Simulation and more.

Michael McKinney speaks to the experimental/electronic duo about the importance of albums as works of art, creating complete albums out of a washing machine and plastic, the difference between music and noise, and more.

In honor of the 10 year anniversary of the late DJ Rashad's influential footwork album Double Cup, Michael McKinney speaks to his close collaborator DJ Spinn about pushing the genre to mainstream attention, where he sees the album's influence popping up today and more.

Michael McKinney delivers the latest edition of Slam on the CDJ, highlighting the best DJ sets of the past month from James Holden, Laksa, Objekt and more.

Michael McKinney speaks to the Brooklyn-based DJ about their winding journey through the music industry, connecting with the Brooklyn dance scene, developing a different way of viewing music through using vinyl and more.

Michael McKinney speaks to the English DJ/producer about letting himself and his music become the vessel to portray whatever emotion he's feeling at the time, pivoting his focus to more pop-adjacent music, struggling to be involved in anything he can't relate to and more.

Michael McKinney speaks to the electronic artist/DJ about aiming to challenge the dancers while playing a set, ensuring that his reissues come from a personal relationship with the music or artist, being exposed to different musical scenes while moving across the world and more.

For the latest edition of Slam on the CDJ, Michael McKinney highlights the best DJ sets from the past month, featuring DJ FLP, Goldie, Purelink and more.

Michael McKinney speaks to the comedian turned viral musician behind "Planet Bass" about making sure he's knowledgeable about the genres he parodies, the process of playing different characters and distorting tropes, and more.

Michael McKinney speaks to the British electronic artist about the beauty of shutting up to record sounds, creating music as a response to crisis, turning a horse skeleton into a pile of instruments and more.