Son Raw
Son Raw is Passion of the Weiss’ resident expert in Urban Electronic sounds, which means that he specializes in music with a lot of air horns, gun shots, broken beats and laser sounds. Having written about Hip-Hop, Rare Groove, Bass Music and Grime and having DJ’ed everywhere from Los Angeles’ Low End Theory to Paris’ Rinse France and London’s NTSLive – we figure he knows what he’s talking about.

When asked to describe his musical philosophy he mumbled something about musical viruses and “searching for the next fix" before concluding that sunshine does indeed play a major part in the daytime.

12 1/2 songs that influenced Son Raw

1. Wu-Tang Clan – C.R.E.A.M

2. Portishead – Sour Times

3. Skream – Midnight Request Line

4. Ruff Sqwad – Future

5. MF DOOM – Dead Bent

6. The Bug – Skeng

7. The Diplomats – DJ Enuff Freestyle

8. Wiley – It’s Wiley (Royal-T Remix)

9. Nas – Project Window (Original Version)

10. DJ Rashad ft DJ Spinn – Drank Kush Barz

11. Logos – Ex101

12. Freddie McGregor – Tomorrow is like Today

13. The second half of Erykah Badu’s Master Teacher

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Currently Listening:

Mumdance & Logos - Proto

D'Angelo - Black Messiah

Mr Mitch - Parallel Memories

Coyote Records - Coyote Kings II

Rick Ross - Hood Billionaire

Yamaneko - Pixel Wave Embrace

Lil Herb - Pistol P

Wayne Shorter - See No Evil

A Tribe Called Quest - Low End Theory

Son Raw - Conscious Wave Mix

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Currently Watching:

The Imitation Game

Blade Runner

Guardians of the Galaxy

Adventure Time

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Currently Reading:

Brian Coleman - Check the Technique II

 
Son Raw is back on his bizzy A tension between sonic variety and cohesiveness is the lifeblood of a music scene. Too much similarity and things get formulaic – think Brostep, Arena Drum & Bass or bone-dry Tech House. Open things up too much however, and you’re likely to hear artists writing concept albums about […]
SD Laika – Idiot Thug January 9, 2014
Son Raw scored like 10 on his IQ test I’m not entirely certain what to call this, but I like it. SD Laika makes riddims that sounds like dirt, broken electronics and bad dreams – perfect for Tri Angle, a label specializing in bringing richly textured nightmares to life, or at least to MP3. This […]
Son Raw on the interview tip for 2014 Nearly a dozen new Grime labels have popped up over the past 2 years, but only one capped off 2013 with a full-length compilation. Coyote Records is the brainchild of Mixmag Editor and Grime-advocate Tomas Fraser and is one of instrumental Grime’s most vital new outlets. Across […]
Son Raw’s continuing look at the instrumental Grime scene. Ya ‘dun know. Part 1 here.  15 – Bloom Bloom fucked with everyone’s head in 2K12 and kept the madness rolling this year with choice remixes and a release on Visionist’s Lost Codes label. His music wasn’t pretty but it damn sure was effective thanks to […]
Son Raw wrote up this damn list himself. Duh ha, duh ha, you never thought that this weird instrumental Grime music I started writing about in 2010 would take it this far! And to be honest, neither did I: 2013 was an outstanding year for Grime and Grime-related music, so much so that it’s been […]
Mr Mitch – The Man Waits December 11, 2013
Son Raw will be mixing tonight on Nasty.FM at 7PM EST – give him a listen. Mr Mitch was born in England, is plenty accepted in the Grime community and yet his best music often reminds me of something else entirely: the broken, experimental Hip-Hop orbiting Los Angeles’ Low End Theory. Woozy, mournful and unafraid […]
Son Raw experienced this mix at a rate of 7 bruck outs per song. Both Mumdance and Wen have had banner years, with the former reinventing his drum-machine heavy sound in collaboration with Logos, Pinch and Mao and the later practically inventing his own hybrid form combining Dubstep’s darkness, Grime’ urban aggression and Funky’s slink. […]
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Son Raw ain’t your motherfuckin’ boy. Like GZA said in 95 – you gotta read the label. If Dubstep had one advantage over Grime early on, it was  independent outlets such as Tempa and Planet Mu spreading the sound beyond the South London boroughs. Grime on the other hand, mostly existed through a sub-underground economy: […]
Son Raw’s playing as Sub Zero. Hindsight being 20-20, Logos’ otherworldly Kowloon EP will probably go down as a second starting point in instrumental Grime’s renaissance – the moment where a new wave of producers looked to the genre’s otherworldliness to complement the rave-ready styles brought to the forefront by the Butterz crew. Even today, […]
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Son Raw has to wear gloves from now through April Wiley continues his streak as Grime’s most interesting man. Combine Nas’ love for the genre he elevated, Pharell’s production at its most alien, Lil Wayne’s propensity for releasing way too much music and the kind of contrarian streak that has a man dissing Glastonbury while […]
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