For the last edition of We Outside of 2024, Pranav Trewn counts down the most memorable live performances of the year.

Pranav Trewn takes his turn paying respect to the late great Ka, whose writing on "Borrowed Time" serves as a hard-fought inner monologue.

As corporations big and small continue to engage in unlawful practices, gouging prices for in-demand shows, concert tickets are more expensive than ever, Pranav Trewn writes.

Pranav Trewn analyzes some recent examples that reflect the oversaturation of reunion tours for the latest edition of the We Outside column.

In the latest edition of We Outside, Pranav Trewn explores the state of the live music scene in San Fransisco, their storied music history being preserved through recent efforts by local foundations.

A conversation with Pitchfork Music Festival’s Seth Dodson and Liz Pesnel about telling stories through scheduling, a consumer-first approach to sponsorships, and welcoming criticism.

Inflation, undue market power, and shady industry practices have all made live music more inaccessible and less enjoyable for audiences across the board, writes Pranav Trewn for the latest column of We Outside.

Despite recent reports that Coachella is on the decline, Pranav Trewn reports live for the latest edition of his We Outside column, suggesting we should still be grateful for the festival and the moments it creates.

For the latest edition of We Outside, Pranav Trewn dives into the unfortunate sentiment felt across the entertainment industry – uninspired nostalgia leads to easy money.

For the first edition of his new We Outside column, Pranav Trewn dives into the state of the US festival market in 2024 – filling IG with posters eager to grab your attention, but relying on mass appeal names in efforts to offer a “well-rounded” lineup.