| Afro Jams of the Week: October 20, 2022 | October 20, 2022 |
Leonel's Afro Jams of the Week returns featuring a returning Ivorian diva, a gengetone wunderkind, and three romantic gems.
| Afro Jams of the Week: October 14, 2022 | October 16, 2022 |
Leonel's Afro Jams of the Week returns with a Zambian one-two punch, a Dancehall beast from Tanzania and two gengetone masters back at the game.
| Afro Jams of the Week: October 6, 2022 | October 6, 2022 |
Leonel's Afro Jams of the Week returns with a double shot of Angolan pop, Cabo Verdian amapiano and a dancehall banger from Guinea-Conakry.
| Afro Jams of the Week: September 27, 2022 | September 27, 2022 |
Leonel's Afro Jams of the Week returns featuring a breakthrough act from Mayotte Island, baby-making kizomba from Cabo Verde, and the queen Yemi Alade going full dancehall.
| Afro Jams of the Week: September 21, 2022 | September 21, 2022 |
Leonel's Afro Jams of the Week returns featuring ndombolo fusion from Congo, Ivorian reggae, and spirituals from Senegal.
| Afro Jams of the Week: September 7, 2022 | September 7, 2022 |
Leonel's Afro Jams of the Week returns featuring a Malian masterpiece, Ivorian fusions, Cameroonian emo-rap and more.
| Afro Jams of the Week: August 30, 2022 | August 30, 2022 |
Leonel's Afro Jams of the Week returns with a dancehall-heavy installment featuring two Guinean bops, a Burundian master at work, a bouncy banger from Uganda, and more.
| Afro Jams of the Week: August 19, 2022 | August 19, 2022 |
Leonel's Afro Jams of the Week returns featuring an Ugandan dancehall wizard, two shades of Cameroonian pop, and the ever-reliable Yemi Alade.
| Afro Jams of the Week: August 12, 2022 | August 12, 2022 |
Leonel's Afro Jams of the Week returns with an all Lusophone edition, featuring an Angolan legend, bedroom sounds from Cabo Verde, and a Gen Z anthem from Guinea-Bissau.
| Deconstruct to Preserve: A Review of Avalanche Kaito’s New LP | August 10, 2022 |
Avalanche Kaito's new project is punk in every sense of the word, a sound that transgresses and deconstructs, but also has the virtue of advancing traditional West African music, Leonel writes.
