| The Rap-Up: A Requiem For Young Slo-Be | August 8, 2022 |
In this week's Rap-Up, Harley Geffner honors the late, great rapper Young Slo-Be after his tragic death this past week.
| “If You Know, You Know”: An Interview With Young Slo-Be | August 5, 2022 |
Yousef Srour speaks to Young Slo-Be about growing up in Stockton, his relationships with Bris and Drakeo the Ruler, finding his flow and more.
| Here’s What Happens When Artificial Intelligence Designs Cover Art and A&Rs Dream Collaborative LPs | August 4, 2022 |
The dawn of a new era is here - one where artificial intelligence creative directs collab albums from Carlos Santana and Young Thug, 'Madvillainy 2,' Odd Future's reunion LP & more.
| Afro Jams of the Week: August 4, 2022 | August 3, 2022 |
Leonel's Afro Jams of the Week returns featuring some Guinean dancehall, Malian fusions, smooth vibes from Mozambique, and more.
| “I Was Gonna Be My Own Boss, I Just Never Knew What It Was”: An Interview With DaBoii | August 3, 2022 |
Dario McCarty speaks to DaBoii about growing up in Vallejo, being inspired by NWA, his solo career and more.
| Montreal’s Jai Nitai Lotus Balances Classic Styles to Modern Techniques on Know The Shades | August 2, 2022 |
The latest project from Jai Nitai Lotus proves there's more to the Montreal hip-hop scene than a demographic boom, Son Raw writes.
| “I’m 72 and Something That I Wrote At 18 Is Relevant Now”: An Interview With Ronnie Foster | August 1, 2022 |
Chris Robinson speaks to organist Ronnie Foster about his formative musical experiences, rebooting his career, being sampled by J. Cole and more.
| The Rap-Up: Week of August 1, 2022 | August 1, 2022 |
Harley Geffner's Rap-Up is here featuring new music from Certified Trapper, Mozzy, Doechii and more.
Kevin Crandall speaks to Vic Spencer and Small Professor about Sean Price's influence, natural chemistry, picking through beat packs and more.
| Never Fly Alone: On Westside Gunn’s ‘Peace “Fly” God’ | July 27, 2022 |
On Gunn's latest, a result of a 48-hour recording marathon, he farms out the creative work to a corps of b-list genre artists in an effort to reach a “museum rap" pinnacle.
