New Hyperdub videos from Morgan Zarate & LV

Son Raw is playing some tunes at Off The Hook Clothing in Montreal right now. Come pay him a visit. Hyperdub’s output has been so unpredictable over the past couple of years that this video...
By    August 10, 2012


Son Raw is playing some tunes at Off The Hook Clothing
in Montreal right now. Come pay him a visit.

Hyperdub’s output has been so unpredictable over the past couple of years that this video from Morgan Zarate feels almost as surprising as a Laurel Halo album. I mean, DUBSTEP? On Hyperdub? You must be joking! Thankfully, Broken Heart Collector is no joke, offering a strong reminder that Kode9’s label was dropping futuristic music at 140BPM back when the rest of the world was still excited about Glo-Fi. Morgan Zarate and Stevie Neal’s latest is unabashedly huge, a big room anthem custom made for chemical peaks and late night hours on huge sound systems.

Though it thankfully avoids any kind of fighting-robot histrionics, it nevertheless engages with the Dubstep as a mainstream sound, something almost every respectable Bass music purveyor appeared scared to do over the past few years. It’s the kind of tune that could easily score a movie scene where a silent killer walks through a rave before executing his target, a sweet-n-sour mix of euphoria and melancholy that’s been all too absent from proper UK dance music and one the world needs more of. As for the video, it’s a fairly good approximation of what goes on in the back of my eyelids on a good Saturday night, which is to say a straight edged person’s nightmare. You say no to drugs, Hyperdub can’t.

LV and Okmalumkoolkat head to the other extreme, delivering ultra-restrained menace in black & white. Calling Spitting Cobra’s backing track a “beat” would be a misnomer as the production trio avoid almost all traces of drums, instead combining off-tune synths with the occasional percussion drop. Meanwhile Okmalumkoolkat claims he’s an MPEG and JPEG without it ever sounding forced, one of the perks that comes with being an Afro-Futurist South-African MC instead of a white rapper from the burbs. Far from LV and Koolkat’s previous dance inflected tracks, it’s a humming, buzzing, paranoid affair that comes closer to zeroing in on the Hyperdub “aesthetic” than almost anything else in 2K12: dark, fun, smart and interconnected. The kind of music that makes you want to vibe all night and then write a dissertation about it the next morning.

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