Jan
09

Review: Mr. Muthafuckin’ eXquire – “Merry eXmas”

Jonah Bromwich doesn’t order well drinks. You could be forgiven for thinking that Mr. Muthafuckin’ eXquire has changed. If you didn’t delve too deeply into Lost In Translation, you may have found it fun: loud, lewd, and full of absurdist fantasies and shots of vodka. But there was dirty, stark realism at the core of… Continue reading »

Sep
07

Past the Heavens: Blu’s Continuous Self-Transformation

This is the first contribution from Tosten Burks. It will not be the last. When you debut with (near) perfection, what happens next? This question is Nas’s career. No matter how highly you revere Stillmatic or any of his other post-Illmatic works, Nasir Jones’s legacy will always be a tale of an artist beating on… Continue reading »

Aug
29

Empty Cup: Does Lil Wayne Need Drugs?

Don’t call Abe Beame killer because he’s killing. Putting your finger on precisely why you come away from Tha Carter 4 dissatisfied is a difficult proposition. It’s brimming with bangers, large hooks, big guest appearances, and experimental song concepts. Wayne is totally and completely invested. His rapping is as energetic and crisp. You can hear… Continue reading »

Jul
20

Frank & Beats: Zomby — Dedication

Despite the Walking Dead, Aaron Frank continues to endorse Zombies. Calling Zomby’s new album his best seems slightly inaccurate. By now, it’s clear that every release is more warped and innovative than its predecessor. Oddly enough, it doesn’t feel as if Zomby is “progressing,”  as much as uncovering another place within himself. In years past,… Continue reading »

May
12

Floodwatch: The Book of David and the Renaissance of DJ Quik

It occurred to me about halfway into The Book of David the other day that, De La Soul excepted, there isn’t another name in hip hop that has enjoyed a longer sustained loyalty for me than DJ Quik. I can still remember that autumn afternoon in seventh grade when my friend Erick handed me a… Continue reading »

May
09

Sach O: Tyler, The Creator – Goblin

Sach O is a fuckin table. You think you’re sick of hearing about Odd Future? Ask Tyler. Artists hating their own success is a well-worn trope, but the burning glare of the hype machine has never been so swift and vicious: the kid hasn’t even released a CD and yet he’s become the single most… Continue reading »

Jan
10

Sach O: James Blake – James Blake

There’s a limit to Sach O’s love. Breathlessly hyped since his debut on wax, James Blake’s ascent through the world of electronic music has been a peculiar one. Nominally a member of the post-dubstep community bringing bassweight to England’s longstanding art pop tradition, he’s so far managed to avoid defining himself by jumping from concept… Continue reading »

Mar
30

Sach O: Erykah Badu – New Amerykah Part Two: Return of the Ankh

Sach O was writing about Erykah Badu before it was all trendy. If you want to know how Part Two of Erykah Badu’s New Amerykah series relates to the original, look no further than the album cover. While The 4th World War had Badu raising her fists towards the listener from under a dystopian metal… Continue reading »

Feb
22

Sach O: Freeway & Jake One – The Stimulus Package

Sach O feels sorry for you bloggers. The Stimulus Package comes in a fancy collectors edition with a money clip. It’s a collaboration between a guy who once worked with Jay-Z and a guy who was last seen working with MF DOOM. It’s also released on (OMFG!) Rhymesayers, an indie label best known for, ahem,… Continue reading »

Sep
17

Sach O: Kid CuDi – Man on the Moon

Sach O could out smoke this guy. Kid CuDi is a hipster. That’s not a diss: Midwestern kid feels alienated and misunderstood in Ohio, moves to New York, works shitty jobs in trendy stores, discovers electro, falls in with the right crowd and somehow lands a career making music for other tasteless, badly dressed wannabe… Continue reading »

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