May 18th, 2009
There’s something sad about watching a once-great group sing old songs because nobody wants to hear the new ones. Except The Pharcyde don’t have new ones, even though they’ve been “reunited” since last year’s Rock the Bells–which means that their performance at at the Santa Monica Pier last Friday was solely to cash a check. How do I know? Because it was for an event called The Coors Light Cold Front Jam–the only other option is that they were paid in kegs.
Still, I could listen to “Passing Me By,” “Ya Mama,” “Runnin,” “What’s up Fatlip?” “Drop” et. al, performed until I have a glass eye with a fish in it–even though the quartet was rapping next a stand that sold mackerel bait. I spoke with Imani and Slimkid3 for the Times, about everything from the inspiration for “Passing Me By,” to their love of Korn (?), to the amount of hallucinogenics they ingested in the early Clinton years. As usual, the B-Sides are after the jump.
LA Times: A Reunited Pharcyde Discuss Breakups, Makeups and J Dilla
MP3: Pharcyde-”Westside 242″
MP3: Pharcyde-”Y (Be Like that?) (Jay Dee Remix)
MP3: Pharcyde-”Passin’ Me By (Fly as Pie Remix)”
MP3: Fatlip-”What’s Up, Fatlip?”
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Posted in Interviews, LA Times | 5 Comments »
May 15th, 2009
Admittedly, you’re taking a recommendation from someone who missed Exile’s set at Fat Beats last Saturday, to see The Grateful Dead. So maybe the MPC mastery of Aleksandr Manfredi is the hip-hop equivalent of the drum circle–meaning I’m the prime demographic. Still, between Fly Lo, Exile, Nosaj Thing, Gaslamp Killer, and, of course, the venerable Otis Jackson Jr., Los Angeles beatmaking is at a 21st century zenith.
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Posted in LA Times, Are You From the Lester Bangs School of Thought? | 4 Comments »
May 13th, 2009
In my quest to redeem that last lost post, let me invoke the name of half-Kenyan, half-American benga band, Extra Golden. Among the premier practioners of contemporary afro-beat, they’re living proof that the American legacy of Fela Kuti, King Sunny Ade, and D.O. Misiani, isn’t entirely the province of a bunch of pencil-necked geeks rocking Lacoste and loafers.
In advance of their show tonight at the Echo, I spoke with guitarist Alex Minoff about the band’s alternately uplifting and tragic history, African music, and the difficulty of getting an American visa. If you’re still looking for tickets, Duke at You Set the Scene still has a pair to give away. Extra Golden will be playing alongside reggae legends, The Meditations. If you don’t want to go, you deserve to watch comical cat videos for the duration of your existence.
LA Times: Extra Golden on African Music, Obstacles, and Obama
Download:
MP3: Extra Golden-”Anyango”
MP3: Extra Golden-”Ok-Oyot System” (Left-Click)
MP3: The Meditations-”There Must be a First Time”
Posted in African Music, LA Times | 1 Comment »
May 11th, 2009
Too young and initially obsessed with hip-hop to have seen The Dead when they were still Grateful, my communion with the skull and roses is primarily a personal one. The first Damuscus Moment tape: a battered bootleg temporarily loaned by an ex-girlfriend, but hoarded as break-up spoils–dubbed off a radio station in Provo, Utah. Studded with Dylan covers and a broken-down but beatific Jerry–vocals sounding like a man who’d just spent a decade in a desert, guitars glowing and gliding like a shooting star. A type of diseased soul music, simultaneously spiritually nourishing and entrancingly vacant.
This was in my early 20s, right at the moment that Andrew Gaerig once described as, “when [you] become secure enough with [your] music tastes to start buying albums that the kids [you] hated in high school enjoyed.” I never hated hippies–I just didn’t get the appeal beyond the shallow triumph of cheap drugs and a pre-packaged lifestyle. Just because you liked The Dead didn’t mean you had to like Phish and Dave Matthews, and that metal-mouthed kid with dreads who sold oregano to 8th graders and really liked whippets…
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Posted in LA Times | 2 Comments »
May 8th, 2009
There are three albums I’d theoretically want to write a 33 1/3 about: Fela Kuti’s Expensive Shit/He Miss Road, Ghostface’s Supreme Clientele, and Company Flow’s Funcrusher Plus. 500 words clearly doesn’t cut it, but it’ll have to suffice.
LA Times: Company Flow-Funcrusher Plus Reissue
Download:
MP3: Company Flow-”Juvenile Technique”
MP3: Company Flow-”Simian Drugs”
Posted in LA Times | 6 Comments »
April 27th, 2009
Whether labeled “Speedboat rap” or “yacht music,” Rick Ross is not deep. No one believes he is–save for Ross himself–a man who lives in an oblivious nether-galaxy heretofore reserved for Mike Tyson, Mahmoud Ahmadinejad, Rod Blagojevich, Killa Cam, and Jim Jones–the real Jim Jones.
Even if we agree on this pathology, the “RICK ROSS IS GOOD NOW!” meme currently blighting the blogosphere remains patently ridiculous. It’s astonishing how easily a display of simple A-B-C rap facility has people rushing to Thesaurus.com, searching for superlatives. Yeah, ultimately, I agree with Sach’s assessment of Deeper than Rap. I gave it three stars at the Times, the same rating I gave to the FloRida album that I never linked to, because why would you want to read a FloRida review?
Both are well-constructured and rigorously competent corporate rap albums that lack soul, spontaneity, wit, and essentially everything that I like about music. Besides, smart money says that rappers don’t suddenly vastly alter rhyme schemes and styles at 33 years old, on their third major label effort. Cue the “Ride or Die” snippet of Jay: “for the right price, I can even make your shit tighter.” In the end, I’m fine with the coke fantasy fabrications, the hulking bombast, even the beard. OK, especially the beard. But if you’re going to re-make The Adventures of Baron Von Munchausen as a rap album, at least do Terry Gilliam right–don’t give us some Michael Bay bombs and banality shit. BAWSE!
LA Times: Rick Ross–Deeper Than Rap Review
Download:
MP3: Rick Ross-”Mafia Music”
MP3: Rick Ross ft. Kanye West, T-Pain, Lil Wayne-”Maybach Music 2″
Posted in LA Times | 10 Comments »
April 22nd, 2009
Next week, we’ll tackle more pressing questions like keeping Atlantis off the map, making Steve Gutenberg a star, and keeping the metric system down. But for the duration of this one, consider Passion of the Weiss, official anti-stone mason headquarters.
On Thursday and Friday, Sach and Jonathan Bradley will battle the bulge of Roth publicist e-mails that bloat my inbox. After all, only hours ago, Roth’s fleet flackses informed me that Asleep debuted at number one on iTunes, with “major retailers underestimating Asher Roth’s grass roots support from blogs and magazines in the hip-hop and indie community and are scrambling to get more copies in-stores!” I’m not surprised. The marketing muscle thrown behind our new rap philosopher-king is astonishing, as Dart artfully explains here.
My review at the Times is too short for true justice, but thankfully Ian Cohen went in “Winter Warz”-style at Pitchfork, gravity-bonging it with an appropriate, 2.4. How is anyone supposed to respect a rapper who lets the waddling late-period Larry Holmes that is Busta Bus, look like the Easton Assassin of ‘82, who floored original Great White Hype, Gerry Cooney? Has an “event album” ever been as un-eventful as this one? Is it safe to conclude that Steve Rifkind is the Reverend Fred Sultan?
LA Times: Asher Roth–Asleep in the Bread Aisle Review
Download:
MP3: Asher Roth ft. Busta Rhymes-”Lion’s Roar”
MP3: Ghostface Killah-”Who’s the Champion”
Posted in LA Times | 6 Comments »
April 16th, 2009
Not much to add that the title doesn’t explain. All in all, a fair quarter for rap albums: two great ones (UGK 4 Life, Born Like This), one great mixtape (Superbad), and a half dozen solid to very good efforts. For better or worse, contemporary hip-hop is about keeping up. Product is increasingly disposable. It’s hard to care. I get it. But if you dig, it’s out there, the onus is just on you (I do what I can, but time + outside interests are a motherfucker.)
Yes, I wish that the names Rick Ross and Asher Roth conjured jello-eating, high-waisted, Floridean retirees, rather than the two biggest names you’re supposed to like. And yes, I often spend days like yesterday–flashing back to ‘93 Yo! MTV Raps and the video for Da Youngstaz’s ‘”Crewz Pop.” But I’m going to Coachella today, and for once, not in any mood to complain–now off to cop a Hadley’s Date Shake.
LA Times: The Quarterly Report–The Best Rap Albums of the First Quarter of 2009
Download:
MP3: DOOM-”That’s That”
MP3: UGK-”Swishas and Erb”
ZIP: Boosie-Superbad: The Return of Mr. Wipe Down (Left-Click)
MP3: Camp Lo-”Gotcha”
MP3: Exile-”The Sound is God”
MP3: Finale-”One Man Show” (prod. by Black Milk)
MP3: Blu-”Amnesia”
MP3: Del-”Get It Right Now”
ZIP: Tiron-Ketchup (Left-Click)
MP3: Harmonic 313 ft. Elzhi & Phat Kat-”Battlestar”
Posted in LA Times | 18 Comments »
April 10th, 2009
We’ve already discussed Kode9, so I’ll spare the windy intro. An interview with the Hyperdub baron is up at Pop and Hiss. A few extra answers are below the jump. His show tonight with Flying Lotus might be my most anticipated of the year thus far. Between Black Moth Super Rainbow and Flying Lotus, I fully anticipate the Golden Cricket Trapeze All-Stars to be my next favorite group. Of course, this would violate the rule that any band with “All-Star,” in its name is invariably bad, but I’m willing to make an exception.
LA Times: Cracking the Kode: Kode9 on the future of dubstep, Hyperdub, Flying Lotus and new Burial
Download:
MP3: Flying Lotus Vs. Kode9–”Live on Rinsefm Nov. 20, 2007″ (Left-Click)
MP3: Kode9-”Babylon”
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Posted in LA Times | 3 Comments »
April 3rd, 2009
As you may have read, UGK 4 Life, has drawn largely rave reviews. This is to be expected for a sentimental favorite like the Underground Kingz, but the praise is warranted. Neck-and-neck with the Doom for my favorite rap release of the year, UGK’s last album manages to be the rare swan song essential for the music alone. Old man rap for the win.
LA Times: The Posthumous Triumph of UGK 4 Life
Amazon: UGK-UGK 4 Life
Download:
MP3: UGK ft. Sleepy Brown-”Swishas and Erb”
MP3: UGK ft. Ron Isley-”The Pimp and the Bun”
Posted in LA Times | 3 Comments »
