Passion of the Weiss

eMusic: Statik Selektah-Stick to the Script

December 5th, 2008

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Prior to the release of Boston-raised Statik Selektah’s Stick to the Script, 2008 had already been a stellar year for DJ compilations. Recent releases from Jake One, DJ Babu and DJ Revolution harkened back to the genre’s mid ’90s glory years, the decade that gave birth to Funkmaster Flex and DJ Clue.

Perhaps unsurprisingly, a scan of Script’s track listing reveals Selektah’s admiration for gritty New York City rap, with M.O.P., Jadakiss, Redman and Black Rob all popping up to slay their respective guest appearances. Though mostly in thrall to the sonic school spawned by the five boroughs, Stick to the Script does manage a few diversions, exhibiting geographic diversity with posse cuts from Houston (”Get Out the Way”), Philadelphia (”All 2gether Now”), Boston (”Streets of M.A.”) and the West Coast (”Cali Nights.)”

Moreover, Selektah is careful to avoid making this a pure exercise in nostalgia, enlisting New Schoolers Joell Ortiz, Peedi Crakk, Termanalogy and Little Brother. While Selektah’s beats typically hew to the ’90s East Coast formula (eerie minor keys, grimy drum patterns and soul-splashed horn parts), the current-Brooklyn resident intuitively understands how to play to each MCs’ strengths while making sure they avoid complacency. Cumulatively, the effort amounts to one of the year’s best DJ compilations, one that looks backwards without resorting to empty nostalgia.

Download:
MP3: Statik Selektah ft. Freeway, Young Chris, & Peedi Crakk-”All 2Gether Now”
MP3: Statik Selektah ft. Bun B & Cory Mo-”Get Out the Way”

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eMusic: Illa J-Yancey Boys

November 13th, 2008

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In the two years that have elapsed since underground legend J Dilla passed, dozens of rappers — among them Busta Rhymes, Jay Electronica and Q-Tip — have plundered his seemingly abyssal stock of unused beats. Yet only Dilla’s younger brother, 21-year-old Illa J, can claim them as a birthright.

Upon relocating to Los Angeles from the family’s hometown of Detroit, Illa J received the ideal housewarming present: a CD’s worth of unused beats that his big brother (then known as Jay Dee) had recorded for Delicious Vinyl between 1995 and 1998. As one might imagine, the beats themselves take center stage (”DFTF” and “All Good,” in particular). The elder Yancey brother concocts a simmering, smoky, soulful brew — a dream cross-section of his work on A Tribe Called Quest’s Beats, Rhymes and Life, The Pharcyde’s Labcabincalifornia, and Common’s Like Water for Chocolate.

On the mic, Illa J might still lurk in his brother’s long shadow, but with his laid-back, sing-song flow, he seems to intuitively know how to rock Dilla’s soundscapes. Occasionally, this liquescent tone veers towards languor, but more often than not, Yancey Boys proves to be an impressive debut, one that would make big brother proud.

Download:
MP3: Illa J-”We Here”
MP3: Illa J-”DFTF”

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eMusic-Dr.Doom-Dr. Dooom 2

October 23rd, 2008

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Hip-hop’s champion eccentric, Kool Keith’s influence on the landscape of contemporary hip-hop is incalculable; everyone from Lil Wayne to MF Doom has either directly or indirectly paid homage to the man of a dozen guises — each tribute more spaced-out and surreal than the next.

On Dr. Dooom 2, Keith reprises the role of the gonzo, serial-killing physician he created for 1999’s First Come First Served. Like most sequels, Dr. Dooom 2 fails to live up to the heights of its predecessor. Keith has a tendency to run in circles, his non-sequitur raps having become almost formulaic in their absurdity. Keith’s decision to once again kill his Dr. Octagon persona doesn’t do him any favors — it’s the second time he’s done so in as many Dooom records.

Yet even at his most banal, Kool Keith remains more compelling than 95 percent of the off-kilter rappers he’s spawned. While more mundane MC’s might use American Idol as a lame punchline, Keith devotes the record’s opening cut (”Simon”) to a bizarre, hilarious rant about his hatred of Simon Fuller. Behind the boards, long-time collaborator Kut Masta Kurt supplies an impressive array of horror-core piano riffs and dive-bombing super hero strings. Those disappointed by Dr. Octagon 2 should be satisfied by Keith’s return to form — whatever form that is.

Download:
MP3: Dr. Dooom 2-”Simon”
MP3: Dr. Dooom 2-”Always Talkin’ Out Your Ass” (Which I’m partial to because Keith shouts out the LA Weekly and Village Voice)

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eMusic: Madlib–WLIB-AM: King of the Wigflip

October 21st, 2008

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Throughout the course of his decade-plus career, Madlib has repeatedly articulated his belief that he’s a DJ first, a producer second and a rapper third. Indeed, WLIB AM: King of the Wigflip, finds the prolific underground kingpin’s hierarchy well in place, with Madlib curating his own dream radio station for British label BBE’s vaunted Beat Generation series, an ongoing project featuring such distinguished alumni as Pete Rock, Marley Marl, and J Dilla.

The self-proclaimed Beat Konducta concocts a typically warped spate of narcotic nods for a smattering of both Stones Throw staples (Guilty Simpson, M.E.D. and Georgia Anne Muldrow) and subterranean stars (Murs, Talib Kweli, Prince Po.) Typically opting to shine the spotlight on others, the man born Otis Jackson Jr. stands out behind the mic on “I Want It Back,” with similarly talented little brother Oh No in tow. Like most DJ albums, WLIB: AM, is occasionally uneven, with not every rapper meeting the quality of Madlib’s lush productions. But by its conclusion, you’re apt to wonder why no one’s thought to give the guy his own Sirius station.

Download:
MP3: MED ft. Poke-”The Ox”
MP3: Madlib-”Heat”

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