Tosten Burks is tost in the world.
Posting this video because the song remains more interesting than anything Kanye’s done since. Maybe Watch the Throne and these recent G.O.O.D. Music album leaks have matched the gaudiness of My Beautiful Dark Twisted Fantasy, but none of it has been inspired or emotionally engaging enough to feel deserving of such scale. “Lost in the Woods” is only maybe a top tier MBDTF song, but that’s like calling the Tower formerly known as Sears only even maybe a top tier skyscraper. Is there much difference at that point when you’re standing at the bottom looking up?
The point being, a video as art-filmily pretentious and absurd as this, or as “Power,” or “Monster,” or “Runaway,” works because the music feels like it deserves such grandiose visual ambition, requires it even. Maybe the track owes more credit than asserted to the original Bon Iver song, but what matters is the left-fieldness of the sample and the boldly quiet respect towards its pure state, humble restraint holding up the unflinchingly self-important verses laid on top. This could not be on any other platinum-artist’s album. I’m not sure anyone else has enough guts. Which is a testament to West’s ability to pull commercially successful sounds out of anywhere and also the reason his output as of late doesn’t hang.
‘Ye has always been dope because he’s always given a bird to the limits of what radio hip-hop can sound like. His most recent work has just been much more centrist. It’s lacked soul and integrity. Not that the dude’s personal investment has sounded forced – MBDTF might be his biggest force ever, but it’s the brashly grand commitment to its ideals that make it valuable as opposed to the sort of grainily inherent authenticity of a “Through the Wire” – it’s just been near-absent.
Perhaps the overbearingness of West’s personality has gotten exhausting. But also, the music’s just not as good. Let this not be a critical damnation of all present-day Kanye, but at the same time, let it be a call for him to rediscover the challenging, ever-curious inventiveness of pre-fashion-designer Mr. West. I know it all falls down, but I hope that ‘Ye hasn’t started just yet.




















4 comments
BMICHAEL says:
May 10, 2012 at 7:51 am (UTC -7)
Yeah I agree the 1 3/4 songs since WTT are not as good as the best rap album of the century. Good point.
Tosten says:
May 10, 2012 at 12:35 pm (UTC -7)
Is a dramatic decline in creativity from one of the most consistently creative producers of an era not worth chronicling?
Bromwich says:
May 10, 2012 at 12:51 pm (UTC -7)
Kind of have to agree with B. Michael here. Especially considering everything recent is G.O.O.D. Friday stuff, and mostly collaborative. And that Theraflu is awesome. “Ye hasn’t gone into album mode yet–he’s just getting ramped up here.
Tosten says:
May 10, 2012 at 1:20 pm (UTC -7)
The thing is, I would comfortably argue that almost all of the original G.O.O.D. Friday songs are more compelling than most everything on Watch the Throne and on. Those were collaborations. Everything is a collaboration. Aside from “Burn,” all of these recent tracks have West’s name on them. Throwaways from MBDTF clearly outshine his output since. That seems newsworthy.
I’m not forever holding him to an absurd 10.0 standard. I’m just recognizing a substantial fall off from that.