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	<title>Comments on: SXSW Day 4 (Pt. 1): On Rap/Rock, The Legacy of the Beasties, and Asher Roth Vs. The Knux</title>
	<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/</link>
	<description>I'm a Bartender, I Do Great Things.</description>
	<pubDate>Sun, 21 Mar 2010 17:26:17 +0000</pubDate>
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		<title>By: Jon Anthony</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86837</link>
		<author>Jon Anthony</author>
		<pubDate>Thu, 26 Mar 2009 04:19:42 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86837</guid>
		<description>One band that is mixing rock and rap seamlessly and in a way that rappers and rockers both appreciate is AUDIBLE MAINFRAME (www.myspace.com/audiblem).  If ya'll haven't heard of them, check that myspace page out.  These dudes are official and are doing this hip-hop and rock thing the way it should be done!  It's The Roots meets Rage Against The Machine meets Radiohead meets De La Soul.  

These guys did a few shows as Slick Rick The Ruler's backing band AND re-recorded an anniversary edition of Smiff N' Wessun's 'Da Shinin.'  These guys are the real deal and will soon be a household name</description>
		<content:encoded><![CDATA[<p>One band that is mixing rock and rap seamlessly and in a way that rappers and rockers both appreciate is AUDIBLE MAINFRAME (www.myspace.com/audiblem).  If ya&#8217;ll haven&#8217;t heard of them, check that myspace page out.  These dudes are official and are doing this hip-hop and rock thing the way it should be done!  It&#8217;s The Roots meets Rage Against The Machine meets Radiohead meets De La Soul.  </p>
<p>These guys did a few shows as Slick Rick The Ruler&#8217;s backing band AND re-recorded an anniversary edition of Smiff N&#8217; Wessun&#8217;s &#8216;Da Shinin.&#8217;  These guys are the real deal and will soon be a household name</p>
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		<title>By: Scott T. Sterling</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86820</link>
		<author>Scott T. Sterling</author>
		<pubDate>Thu, 26 Mar 2009 01:48:36 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86820</guid>
		<description>One last thing that's super-relevant to this discussion: I just heard that the Black Lips backed GZA onstage at Emo's. So I've gotta give GZA MAJOR props. That's hot right there! Anyone happen to catch that?

@Trey Stone: I can understand losing interest in Radiohead post-Kid A to some degree. That album is such a high watermark/paradigm-shifter it can be difficult to match. But as someone that's really listened to those guys intensely ever since The Bends, I might just be more tuned into the subtleties of their most recent work. They're not trying to change the world anymore--they're just making really good music. Songs from "In Rainbows" are monsters live. "House of Cards" at the Bowl last year was genuinely soul-stirring.

And I'm definitely not one of those sweeping Coldplay haters. I absolutely acknowledge their abilities and actually enjoy some of their tunes. If anything, I wish they'd really push themselves and come up with THEIR Kid A. But I don't even think they've made their OK Computer (yet).</description>
		<content:encoded><![CDATA[<p>One last thing that&#8217;s super-relevant to this discussion: I just heard that the Black Lips backed GZA onstage at Emo&#8217;s. So I&#8217;ve gotta give GZA MAJOR props. That&#8217;s hot right there! Anyone happen to catch that?</p>
<p>@Trey Stone: I can understand losing interest in Radiohead post-Kid A to some degree. That album is such a high watermark/paradigm-shifter it can be difficult to match. But as someone that&#8217;s really listened to those guys intensely ever since The Bends, I might just be more tuned into the subtleties of their most recent work. They&#8217;re not trying to change the world anymore&#8211;they&#8217;re just making really good music. Songs from &#8220;In Rainbows&#8221; are monsters live. &#8220;House of Cards&#8221; at the Bowl last year was genuinely soul-stirring.</p>
<p>And I&#8217;m definitely not one of those sweeping Coldplay haters. I absolutely acknowledge their abilities and actually enjoy some of their tunes. If anything, I wish they&#8217;d really push themselves and come up with THEIR Kid A. But I don&#8217;t even think they&#8217;ve made their OK Computer (yet).</p>
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		<title>By: Trey Stone</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86811</link>
		<author>Trey Stone</author>
		<pubDate>Thu, 26 Mar 2009 00:20:08 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86811</guid>
		<description>truthfully, i should probably give Radiohead's more recent albums another close listen, but overall i get the vibe that, outside of a couple tracks i like on "Amnesiac," they pretty much bust their creative nut (eloquently speaking) with "Kid A" and their subsequent albums have been either a) unfocused experimentation that doesn't come together like that album ("Amnesiac") or b) poorly trying to reconcile their new millennium output with their previous rock sound. that said, to be fair i like about half of that solo album Thom Yorke put out.

with Coldplay, i agree with the standard criticism that they can be boring, really boring depending on which album we're talking about (i think "Parachutes" and "X&#38;Y" only have a few good tracks between 'em,) but in their inspired moments their melodies are transcendent. sounds corny, but true. i can co-sign on some of the more recent singles though, to be honest with the exception of "Lovers in Japan" i think their singles from the new one are some of its weakest tracks.</description>
		<content:encoded><![CDATA[<p>truthfully, i should probably give Radiohead&#8217;s more recent albums another close listen, but overall i get the vibe that, outside of a couple tracks i like on &#8220;Amnesiac,&#8221; they pretty much bust their creative nut (eloquently speaking) with &#8220;Kid A&#8221; and their subsequent albums have been either a) unfocused experimentation that doesn&#8217;t come together like that album (&#8221;Amnesiac&#8221;) or b) poorly trying to reconcile their new millennium output with their previous rock sound. that said, to be fair i like about half of that solo album Thom Yorke put out.</p>
<p>with Coldplay, i agree with the standard criticism that they can be boring, really boring depending on which album we&#8217;re talking about (i think &#8220;Parachutes&#8221; and &#8220;X&amp;Y&#8221; only have a few good tracks between &#8216;em,) but in their inspired moments their melodies are transcendent. sounds corny, but true. i can co-sign on some of the more recent singles though, to be honest with the exception of &#8220;Lovers in Japan&#8221; i think their singles from the new one are some of its weakest tracks.</p>
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		<title>By: Scott T. Sterling</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86796</link>
		<author>Scott T. Sterling</author>
		<pubDate>Wed, 25 Mar 2009 22:40:55 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86796</guid>
		<description>Not in defense of N*E*R*D or anything, since even as a fan, their live shows are a complete mess. It's like someone slid Pharrell some old Bad Brains footage and he decided to emulate it in the laziest, most obvious way possible (which seems to be his new M.O.)

But to echo Trey Stone's sentiments, they do manage to do all sorts of really interesting things in the studio that get completely overlooked underneath all of the bombast and pink sneakers. It's too bad, because there's so much creative potential there. 

But dude, are you serious about Coldplay's recent output being better than Radiohead post-Kid A? "House of Cards" alone pwns Coldplay's entire catalog. And their singles have definitely gone downhill in the past couple of years (I don't think I'll ever be able to forgive them for raping Kraftwerk's "Computer Love." That was all kinds of wrong). The only point I can concede to Coldplay is the "secret" song on Viva La Vida, "Chinese Sleep Chant," which is still just their attempt at aping shoegaze heroes like My Bloody Valentine. 

@Douglas Martin: Yeah, I was going to mention Dilla sampling "Come Play in the Milky Night," but never got around to it. Thanks.</description>
		<content:encoded><![CDATA[<p>Not in defense of N*E*R*D or anything, since even as a fan, their live shows are a complete mess. It&#8217;s like someone slid Pharrell some old Bad Brains footage and he decided to emulate it in the laziest, most obvious way possible (which seems to be his new M.O.)</p>
<p>But to echo Trey Stone&#8217;s sentiments, they do manage to do all sorts of really interesting things in the studio that get completely overlooked underneath all of the bombast and pink sneakers. It&#8217;s too bad, because there&#8217;s so much creative potential there. </p>
<p>But dude, are you serious about Coldplay&#8217;s recent output being better than Radiohead post-Kid A? &#8220;House of Cards&#8221; alone pwns Coldplay&#8217;s entire catalog. And their singles have definitely gone downhill in the past couple of years (I don&#8217;t think I&#8217;ll ever be able to forgive them for raping Kraftwerk&#8217;s &#8220;Computer Love.&#8221; That was all kinds of wrong). The only point I can concede to Coldplay is the &#8220;secret&#8221; song on Viva La Vida, &#8220;Chinese Sleep Chant,&#8221; which is still just their attempt at aping shoegaze heroes like My Bloody Valentine. </p>
<p>@Douglas Martin: Yeah, I was going to mention Dilla sampling &#8220;Come Play in the Milky Night,&#8221; but never got around to it. Thanks.</p>
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		<title>By: elmattic</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86745</link>
		<author>elmattic</author>
		<pubDate>Wed, 25 Mar 2009 18:08:20 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86745</guid>
		<description>Word on this, esp. current crossovers = marketing synergy, not musical melding.

Still can't figure out though, why so many hip-hop cats have such terrible, terrible taste in rock.  Yeah, there's the odd exception (Schoolly's Signifying Rapper), but...Body Count, anyone?  I mean, Premier digs so deep for example he ends up sampling some silent movie soundtrack for Illmatic and in all that time he never found a Sonic Youth record?  It's weird.

Also, not to dis, but you mean "play rock star karaoke" not "play rock star kabuki," I think...though Lil Wayne playing rock star stylized Japanese acting would probably be a lot more interesting.</description>
		<content:encoded><![CDATA[<p>Word on this, esp. current crossovers = marketing synergy, not musical melding.</p>
<p>Still can&#8217;t figure out though, why so many hip-hop cats have such terrible, terrible taste in rock.  Yeah, there&#8217;s the odd exception (Schoolly&#8217;s Signifying Rapper), but&#8230;Body Count, anyone?  I mean, Premier digs so deep for example he ends up sampling some silent movie soundtrack for Illmatic and in all that time he never found a Sonic Youth record?  It&#8217;s weird.</p>
<p>Also, not to dis, but you mean &#8220;play rock star karaoke&#8221; not &#8220;play rock star kabuki,&#8221; I think&#8230;though Lil Wayne playing rock star stylized Japanese acting would probably be a lot more interesting.</p>
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		<title>By: douglas martin</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86734</link>
		<author>douglas martin</author>
		<pubDate>Wed, 25 Mar 2009 17:02:28 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86734</guid>
		<description>i co-sign zeus, and all the points made about great producers finding sources outside of soul and top-40. and in addition to pharrell name-checking stereolab, dilla sampled them, as well. 

i think taking sources and bending them to your own vision-- in hip-hop, as least-- what separates madlib and dilla from... well, damn near everybody else.</description>
		<content:encoded><![CDATA[<p>i co-sign zeus, and all the points made about great producers finding sources outside of soul and top-40. and in addition to pharrell name-checking stereolab, dilla sampled them, as well. </p>
<p>i think taking sources and bending them to your own vision&#8211; in hip-hop, as least&#8211; what separates madlib and dilla from&#8230; well, damn near everybody else.</p>
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		<title>By: DocZeus</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86640</link>
		<author>DocZeus</author>
		<pubDate>Wed, 25 Mar 2009 03:33:02 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86640</guid>
		<description>I just re-read Chuck Klosterman's seminal essay on Billy Joel from "Sex, Drugs &#38; Cocoa Puffs" and a lot of what he has to say about Billy Joel can be directly applied to Coldplay.

Coldplay is a band that is not in the remotest sense can be considered "cool" but their singles all have managed to be really great and the albums are all fairly good as well. 

Doesn't mean that I want any rappers making music with them, though and rappers definitely need to expand their rock literacy beyond them, Limp Bizkit and Phil Collins.</description>
		<content:encoded><![CDATA[<p>I just re-read Chuck Klosterman&#8217;s seminal essay on Billy Joel from &#8220;Sex, Drugs &amp; Cocoa Puffs&#8221; and a lot of what he has to say about Billy Joel can be directly applied to Coldplay.</p>
<p>Coldplay is a band that is not in the remotest sense can be considered &#8220;cool&#8221; but their singles all have managed to be really great and the albums are all fairly good as well. </p>
<p>Doesn&#8217;t mean that I want any rappers making music with them, though and rappers definitely need to expand their rock literacy beyond them, Limp Bizkit and Phil Collins.</p>
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		<title>By: Passion of the Weiss</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86614</link>
		<author>Passion of the Weiss</author>
		<pubDate>Wed, 25 Mar 2009 01:28:02 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86614</guid>
		<description>You make some really good points, Trey, but sort of shoot yourself in the foot by ripping on "Superthug." I dunno, I saw NERD last year--it was one of the worst shows I've ever been to. I'm honestly not fluent enough in their discography to launch into a point-by-point critique, but I've consistently been unimpressed by Pharrell post '03--save for about half of Hell Hath No Fury and some of the Slim Thug album. He strikes me as a perfect example of a guy who had some success, got lazy, and stopped moving forward--which would explain the shallow grasp of rock. 

Radiohead is a valid point too, but really, they're the one great band that people with shitty taste in music name-drop to seem smart and cool. 

@ Doug--Thank you very much. Kanye's sample choice might not be nearly as original as everyone thinks, but I'm consistently impressed by the way he re-purposes them into wholly new contexts.</description>
		<content:encoded><![CDATA[<p>You make some really good points, Trey, but sort of shoot yourself in the foot by ripping on &#8220;Superthug.&#8221; I dunno, I saw NERD last year&#8211;it was one of the worst shows I&#8217;ve ever been to. I&#8217;m honestly not fluent enough in their discography to launch into a point-by-point critique, but I&#8217;ve consistently been unimpressed by Pharrell post &#8216;03&#8211;save for about half of Hell Hath No Fury and some of the Slim Thug album. He strikes me as a perfect example of a guy who had some success, got lazy, and stopped moving forward&#8211;which would explain the shallow grasp of rock. </p>
<p>Radiohead is a valid point too, but really, they&#8217;re the one great band that people with shitty taste in music name-drop to seem smart and cool. </p>
<p>@ Doug&#8211;Thank you very much. Kanye&#8217;s sample choice might not be nearly as original as everyone thinks, but I&#8217;m consistently impressed by the way he re-purposes them into wholly new contexts.</p>
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		<title>By: guodisdoug</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86596</link>
		<author>guodisdoug</author>
		<pubDate>Wed, 25 Mar 2009 00:24:50 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86596</guid>
		<description>I think I liked hip-hop better when I didn't recognize the samples from a song I just heard on another station and actually had to read liner notes to put together the skeleton.  While Kanye's not putting out the worst music, I'm tired of hearing him applauded as some kind of producing genius just because he's slightly less lazy than other well-knowns.

Dilla's uber-sampling today is what looping a Lou Reed hook was 20 years ago.  Too bad so many want to steal and bite his work instead of use it as a frame of reference.

I do find it hilarious that Weezy seems to think learning a chord or two on guitar makes him "rock."

Once again, I applaud you Weiss.</description>
		<content:encoded><![CDATA[<p>I think I liked hip-hop better when I didn&#8217;t recognize the samples from a song I just heard on another station and actually had to read liner notes to put together the skeleton.  While Kanye&#8217;s not putting out the worst music, I&#8217;m tired of hearing him applauded as some kind of producing genius just because he&#8217;s slightly less lazy than other well-knowns.</p>
<p>Dilla&#8217;s uber-sampling today is what looping a Lou Reed hook was 20 years ago.  Too bad so many want to steal and bite his work instead of use it as a frame of reference.</p>
<p>I do find it hilarious that Weezy seems to think learning a chord or two on guitar makes him &#8220;rock.&#8221;</p>
<p>Once again, I applaud you Weiss.</p>
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		<title>By: Trey Stone</title>
		<link>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86591</link>
		<author>Trey Stone</author>
		<pubDate>Wed, 25 Mar 2009 00:04:24 +0000</pubDate>
		<guid>http://passionweiss.com/2009/03/24/sxsw-day-4-pt-1-on-raprock-the-legacy-of-the-beasties-and-asher-roth-vs-the-knux/#comment-86591</guid>
		<description>i don't get the flak for N.E.R.D. "Seeing Sounds" is better and more varied than "808s," and i don't even really think of them as rock, just a weird pop group with goofy-ass lyrics. especially on that album, which doesn't have a lot of straight-up rock tracks. The Neptunes's N.E.R.D. work is miles ahead of almost everything else they've done sonically, with the exception of their beats for Jay-Z, that one Snoop album, and the second Clipse album. i can't wrap my head around why some of the shitty canned beats they did pre-2002 ("Superthug's" a prime candidate for bad guitar/rap fusion in my book) get praised as revolutionary while N.E.R.D. gets written off.

and as far as Coldplay, i thought their last album had made it OK to admit they were good. really though, "Rush of Blood," "Viva la Vida" and the EP they put out after it all &#62; anything Radiohead's done since "Kid A." i realize you didn't mention Radiohead, but i thought i'd put that out there anyway</description>
		<content:encoded><![CDATA[<p>i don&#8217;t get the flak for N.E.R.D. &#8220;Seeing Sounds&#8221; is better and more varied than &#8220;808s,&#8221; and i don&#8217;t even really think of them as rock, just a weird pop group with goofy-ass lyrics. especially on that album, which doesn&#8217;t have a lot of straight-up rock tracks. The Neptunes&#8217;s N.E.R.D. work is miles ahead of almost everything else they&#8217;ve done sonically, with the exception of their beats for Jay-Z, that one Snoop album, and the second Clipse album. i can&#8217;t wrap my head around why some of the shitty canned beats they did pre-2002 (&#8221;Superthug&#8217;s&#8221; a prime candidate for bad guitar/rap fusion in my book) get praised as revolutionary while N.E.R.D. gets written off.</p>
<p>and as far as Coldplay, i thought their last album had made it OK to admit they were good. really though, &#8220;Rush of Blood,&#8221; &#8220;Viva la Vida&#8221; and the EP they put out after it all &gt; anything Radiohead&#8217;s done since &#8220;Kid A.&#8221; i realize you didn&#8217;t mention Radiohead, but i thought i&#8217;d put that out there anyway</p>
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