Passion of the Weiss

Forgot About Shea: Joe Budden’s Padded Room and the Art of Getting Jobbed

joebuddenpaddedroom.jpg

If given the chance, Shea Serrano would punch Ed Hardy in the nose. 

In 2004, a somewhat mildly attractive girl that I’d met only once prior, gave me an over-the-pants hand-job in the laundry room of an apartment complex; I suspect it was due in large part to Joe Budden(1).

It’s a common tale, really. Basically, I lifted several bars from Budden’s call-out track “Bullshit Rappers and Metaphors,” pawned them off as my own during a cipher at a house party, and totally wrecked some guy’s shit. Budden’s barbs were considerably more well-received than my usual awkward attempts to rhyme things like “horseback riding” and “law abiding.” Thus, I won the affection of a girl that has no doubt gotten more and more attractive with each subsequent telling of this story.

So naturally, for me, Mr. Budden’s efforts are received with open ears(2) –despite his official sophomore album’s spotty nature. Mind you, individually, several of the tracks from Padded Room are still better than 90 percent of the songs released this year. “Exxxes” is a surprisingly heartrending broken-man track, containing the authentic sorrow that Kanye grasped at so blatantly. “Blood On The Wall” is thoroughly New York in its superego. And “Pray For Me,” the album’s clear standout, is as introspective as anything Budden’s ever offered -not to mention there’s a 35 second span where he goes absolutely bananas with it.

Padded Room strives for introspection, with Budden in a meditative mode. Long recognized as a consummate mixtape MC, Buddens has uncompromising intellectual integrity. He’s blessed with the odd ability to present his own schizophrenic shortcomings in a way that humanizes his temperament, without resorting to hyperbole. An LP capable of successfully dissecting his id would be unquestionably great.

But too often on Padded Room Budden fumbles through an ill conceived effort (“Adrenaline,”(3) or offers filler like “Happy Holidays.” The latter featuring Joey spitting  gibberish about not wanting presents. If you’ve ever argued that it’s impossible to reference a Christmas tree in a rap song without sounding absurd, this track strengthens your point. This isn’t the Budden album you’ve have been waiting six years for. But it’ll still probably get you a hand-job, which is reason enough to buy a copy.

—-

(1) Who hasn’t Budden helped get masturbated though, right?

(2) Sure, the odds against a situation like that presenting itself again are astronomical, but the possibility of receiving a hand-job from a stranger pretty much marginalizes any mathematical argument for not memorizing lyrics solely for that cause.

(3) This is a Slayer-esque metal track. It doesn’t work out the way Buddens hoped. Sort of like polygamy, or wearing an s-curl.

Download:

MP3: Joe Budden-”Do Tell”
MP3: Joe Budden-”Pray For Me”

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11 Responses to “Forgot About Shea: Joe Budden’s Padded Room and the Art of Getting Jobbed”

  1. I totally agree with this kinda sorta review of Padded Room. I have not received a handjob because of any music…but, yeah.

    And I remember when Joe Budden had the live studio session shown online. I watched it for 5 minutes as he made “Happy Holidays” and said to myself, “there is no way that this will end up on the album”. I was wrong.

  2. It’s a good album to start the year of.”In my sleep” and “Pray for me” are probably the highlights of the album. The former has me reminiscing over Elzhi’s “talkin in my sleep” which i think is still one of the better songs of ‘08

  3. People need to chill with these footnotes. Unless I can scroll over the symbol and it says the footnote it’s just disrupting the flow of your writing and my reading. Noz barely does it properly and you’re biting his shit. Chill.

  4. Passion of the Weiss Says:
    March 12th, 2009 at 10:28 am

    I didn’t write this, but clearly you aren’t much of a “reader.” Noz certainly didn’t invent the footnote, and to assume Shea is biting his style is absurd. I know for a fact he doesn’t even read Cocaine Blunts.

  5. I think Ghostface could get away with mentioning a Christmas three in a song, and probably already has.

  6. Also, a Christmas tree.

  7. I actually find that Jim Jones’ Christmas raps >> Ghostface’s Christmas raps. Other than that… your world, in which one can get hand jobs for lifting (putatively) witty bars from Joe Budden at a “cipher at a house party,” is very different from mine, very different indeed. But whatever walk of life you’re from, I think we can all agree on punching Ed Hardy in the nose.

  8. Which Joe Budden mixtape should I start with?

  9. Berto-The best Joe Budden mixtapes are his Mood Musik series, and the best one is the first one.

    I still dig Buddens, but Ihave noticed that his stuff has gotten more and more whiney. He used to be revealing and dark, like on his brilliant “3 Sides to Story”song off of Mood Musik 2. But that Joey seems to have faded away into the bitterness of a fucked up record deal.

  10. […] for more hip hop, Passion of the Weiss (probably my favorite hip hop blog) pans Joe Budden’s new record.  Shame.  Joey B used to […]

  11. so: next time i get a handjob i’m going to have a mental image of joe bloody budden. ta very much.

    next cipher i’m in, i’m going to bite some plies lyrics in the hope of getting a cleveland steamer instead.

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