Passion of the Weiss

Nigeria 70 and a Bunch of Random Thoughts Tangentially and Not So-Tangentially Connected To It

nigeria70.jpg

I was supposed to have an article on Steinski run today in the OC Weekly and I was going to link to it and everyone was going to have a lovely day discussing old-school hip-hop mix-masters who paved the way for DJ Shadow and The Avalanches and that Girl Talk guy who gets naked and presses play on his Frankenstein mash-ups and people are like “whoah…it’s ADD…in music form. Far out.” Sadly, it didn’t run. These are the vagaries of journalism and blogging. One moment, you’re attempting to foist off work that you did for an alternative weekly and slapping a few MP3s along with it to grease the palms of your blog readers (it’s not what you think). The next, you’re discover that the article hasn’t run yet and it’s 12:43 a.m. and you just watched the Celtics pwn the Lakers despite Paul Pierce having a gimp knee and Kendrick Perkins getting knocked out the box the way you would expect a guy named “Kendrick” to get knocked out the box.

So here we are Internet, you and me and a whole lot of Nigerian Funk that I’m playing to console myself over the Game 1 loss, desperately trying to quell my thoughts about why in god’s name Lamar Odom was sitting on the bench with four minutes to play and why Sasha Vujacic thinks its acceptable to shoot every time he touches the ball* and more importantly why he thinks its okay to wear that retarded hair net at all times. The guy’s like a cross between Drazen Petrovic and Lunch Lady Doris and 83 percent of the time, I’m convinced that Lunch Lady Doris could play better D.

But I digress. We were talking about Nigerian afro-beat music and I was going to tell you how good the Nigeria 70: Lagos Jump compilation is. It was released on Strut last month and like everything else the label has done over the past few years, the latest installation of the Nigeria 70 series is tremendous. I know I say that about every 1970s funk compilation that I write about but I’m pretty sure that across the globe, the me decade was just an incredibly fertile period for music. I suspect this is because they had access to better drugs. I’m only technically allowed to post one track from the album, but as a special bonus in penance for the laziness of this post, I’m giving away the dazzling 18 minutes of “2000 Blacks Got to Be Free,” one of my favorite cuts from godbody Nigerian funk lord, Fela Kuti. One time only. Needless to say, if I were Obama, I would promptly make this my campaign song. Sure, it might freak out the squares, but fuck it.

Happy Friday.

*I assume this is a Slovenian thing?

Stream Nigeria 70

Download:
MP3: Sir Shina Peters and His International Stars-”Yabis”
MP3: Fela Kuti-”2000 Blacks Got To Be Free” (left-click)

Stumble It!

9 Responses to “Nigeria 70 and a Bunch of Random Thoughts Tangentially and Not So-Tangentially Connected To It”

  1. don’t forget how girl talk maniacally presses the space bar while he’s performing. that’s an integral part of his “performance.”

  2. “2000 Blacks Got to Be Free” is probably my favorite Fela track. Anikulapo + Roy Ayers is an unbeatable combo.

    so is that Steinski article still gonna run? cause I’m looking forward to a day where we can all discuss Mantronik’s magnificent megamixes & the Latin Racscals & Coldcut mashing up “Paid In Full” w/”Im Nin Alu” & the guy who did Bomb the Bass.

  3. Passion of the Weiss Says:
    June 6th, 2008 at 1:21 pm

    Yeah, that song continually blows my mind. The world needs to know. Obama this is your shot.

    Hopefully, the Steinski thing will run next week. The world also needs to know about that (or at least hip-hop heads under 30). It’s just an incredible compilation.

  4. re: 2000 Blacks Got To Be Free

    I feel stupid asking this, but why 2000? Does anyone know? I already googled it and didn’t find anything.

  5. Passion of the Weiss Says:
    June 7th, 2008 at 8:47 pm

    I think it’s because of the presumed mystical/numerological import of the year “2000.”

  6. ^co-sign that it’s supposed to refer to the year 2000 as opposed to 2000 people. knowing a little bit about Fela he probably meant “free” on several levels - pan-African freedom from Western (both US & Soviet, this being 1980, the height of the Cold War) political/economic influence (see also “International Thief Thief”) as well as Nigerian freedom from the military government whom Fela was always fighting against & being imprisoned by(”Zombie”, “Unknown Soldier”,”Coffin for Head of State”, etc.). something about apartheid too I’d think. that’s just my take, but Fela’s politics were complicated & um, kind of contradictory at times - not that I have anything less than massive respect for him & his music, just saying he can be kinda hard to pin down sometimes.

  7. thanks

  8. […] the review for Steinski’s What Does It Mean? that I spoke of a little while back finally ran. It’s not long, just 300 words or so, but I’d hope that it at least […]

  9. […] alone, Strut’s dropped the outstanding Funky Nassau: The Compass Point Story (1980-1986), Nigeria 70: Lagos Jump, and now, Calypsoul 70, an excellent effort dedicated to digging up forgotten Caribbean funk, […]

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