Passion of the Weiss

The Kidz In the Hall Demonstrate the Power of A Good Rolodex

When ex-Just Blaze proteges, Kidz in the Hall released their debut album, School Was My Hustle on the newly revived Rawkus Records, I didn’t listen to it for a variety of reasons. Chief among them was the “Ivy League Rap” label critics ascribed to the duo of Nawledge and Double-O. Still scarred from having heard Brown grad MC Paul Barman, I figured Ivy League Rappers were the last thing the world needed, besides something seemed corny about Kidz in the Hall’s insistence on trumpeting their Penn degrees and posing for their album cover in letterman’s jackets.* And by all accounts, their debut seemed stuck in the “conscious” neo-Native Tongues albatross that has flapped over indie rap since Rawkus’ first-go-around. To say nothing of the fact that one of the Kidz’ had the audacity to bestow himself with a rap name as openly condescending as Nawledge.

But that was two years ago, an eternity in rap time. In the interim, something people persist on calling “hipster rap” has come into vogue, an inane classification that Kidz in the Hall have roundly rejected (like the Supreme Court and prior restraint.) But no matter how vehemently they deny such labels, there’s a bit of truth to them, as the retro-aesthetic dominates the very funny and very good video for “Drivin’ Down the Block,” the jump-off single from The In Crowd, the Kidz’ new record slated to drop next week on Duckdown Records. **

Separated from the video, the song itself is good, if not overly familiar. Flipping the “Drivin’ Down the Block” vocal sample from the Masta Ace classic, “Born to Roll,” interpolating the hook from “Elevators,” and shouting out The Low End Theory tape in their deck, the Kidz wear their influences on their sleeves. Meanwhile, Double-O’s minimalist and menacing beat consciously apes the numb coked-out vibe the Neptunes cooked up for “Grindin,” with a little of the Cool Kids’ 808 fetishization thrown into the mix. But in fact, it’s the Ethan Lader-directed video that makes the song really stand out, with the pair hilariously mugging in whiteface and salmon-colored 70s suits, looking less like rappers and more like goofy used car salesmen that just stepped out of a Cal Worthington commercial.

Hey Aren’t You Guys In Vampire Weekend?hallway3.jpg

Were it not for the power of their Rolodex, or more likely, the phone numbers in their Sidekicks/Blackberries/iPhones, “Drivin’ Down the Block,” would probably have already been largely forgotten by the time I’m writing these words. Instead, the Kidz in the Hall have released a pair of remixes that rank as some of my favorite rap songs made this year. The first of the bunch, released two weeks ago, assembled a line-up of rappers that I assume was stolen from a bloggers wet dream***, with Pusha-T, Bun B and the Cool Kids taking turns decimating the track. Had Weezy gotten involved, things may have gotten ugly (both figuratively and literally.) It’s an awesome line-up but one that’s certainly odd considering none of the six rappers would seem to have anything in common, other than a love of candy painted cars, weed and Tribe Called Quest, which on second thought, should be more than enough.

As for the raps, The Cool Kids and The Kidz in the Hall hold their own, but Bun B and Pusha steal the show. In particular, the Neptunes-lite beat seems tailor-made for the Clipse’s better half, who is fast becoming the Inspectah Deck of this decade, the sort of rapper who can murder 16 bars better than anyone else but lacks the ideas to sustain an album. Meanwhile, Bun sounds completely in his element, letting with the beat’s woozy hydraulic hop mesh perfectly with his slow Southern sneer.

But El-P’s remix that might be my favorite of the bunch. At a loss for words, Eskay of Nah Right described it as El-P “doing what he does.” Which is inverting the song from a ideal summertime bass-heavy anthem to a paranoid mindfuck of wailing sirens, extraterrestrial keyboards and lyrics about riots, fascist cops, and the nagging notion of death. It’s flat-out amazing if not a tad predictable, with El-P’s idea of driving down the block taking on ominous Orwellion proportions. At this point it doesn’t matter what kind of idea you throw to El, no matter what he’ll make music that sounds unearthed from a drab Second World dystopia. The guy must be a riot at dinner parties. Ultimately, whether or not the Kidz in the Hall turn into great rappers or not, they’ve managed to kick-start their careers with one of the most exciting trio of songs released this year. Moreover, you can’t help but respect how savvy and intelligent of a decision it was to enlist some of the most talented people in hip-hop to help them achieve it. Maybe those “Ivy League Rap” labels were accurate after all.

* Though Dartmouth open mic nights are reputed to be something fierce, a totally expected development considering the school’s mascot is “The Big Green.”

** Before signing to Duckdown, Buckshot reportedly handed the Kidz a shotgun and forced them to take target practice on their backpacks.

***Involving Natalie Portman, Justice and filthy sexual acts revolving around the name: Ed Banger.

Download:
MP3: The Kidz In the Hall-”Drivin’ Down the Block
MP3: The Kidz in the Hall-”Drivin’ Down the Block Remix ft. Pusha-T, The Cool Kids & Bun B
MP3: The Kidz in the Hall-”Drivin’ Down the Block (El-P Remix) ft. El-P

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12 Responses to “The Kidz In the Hall Demonstrate the Power of A Good Rolodex”

  1. it wouldn’t be a passion rap post without the obligatory wayne diss. haha; they’re very amusing, and somebody’s gotta do it.

    sometimes, i have trouble believing that el-p’s even a rapper: he’s more like an author with 10,000-page opuses, beamed in from the future and given an SP-1200. i don’t think there’s anybody in rap that “does what he does.”

    nice rebuttal to my pusha solo album post, but i think, at this point, it would be extremely contrived if pusha rhymed about anything EXCEPT dealing coke. i’m probably going to get crucified by clipse haters for this one, but i think that, if given enough time and a good enough editor, pusha’s inevitable solo album could end up being a concept album on par with only built 4 cuban linx. i’m not saying it’s GONNA happen, but i am saying it could.

    as for kidz in the hall, i’m still not sold on these guys.

  2. This video reminds me of Beastie Boys in a good way. The dude Double-O looks like a light-skinned Tracy Morgan.

    I like the EL-P remix. The beat is just OK but his lyrics are the perfect contrast to the original. I’ll be seeing El tonight for the first time live here in Philly with Dizzee Rascal and Busdriver!

  3. After listening to these guys’ new album three times in a row last night, I’m officially sold on Kidz In The Hall. I don’t quite think the album is a classic but it’s damn strong. Damn strong.

  4. adam (not Beaugh) Says:
    May 9th, 2008 at 9:55 am

    “Until petroleum drops from $4 a gallon you can suck on my cock”

    If stupid motherfuckers like 50 and Soulja Boy would say something half this intelligent and one quarter as relevant, shit in this world would change.

  5. i’m not quite sold on kidz in the hall - they try too hard to please and nothing really stands out.

    but the el-p remix is one of the best things i’ve heard in ages - much better than his version of that dizzee rascal/ugk song.

    i’m not sure whether any of these opinions makes me a hipster, though. anybody?

  6. Hopefully their new album does 25, 000 + units to open and cracks the Top 10 in Billboard sales. Duck Down deserves it.

    One.

  7. I’ll be doing my part. I’m buying this one. It’s been on repeat since it leaked and I didn’t really care for their debut at all.

  8. Passion of the Weiss Says:
    May 9th, 2008 at 2:48 pm

    Though I’m not completely sold on the Kidz as rappers either, I do enjoy the album. It has some great beats and moreover some great guest spots. However, I wish they could learn to write hooks instead of stealing other people’s. It actually sort of reminds me of an indie hip-hop version of the Documentary. Solid but unoriginal raps and concepts but enough guest turns and beats to make up for their shortcomings.

    DM: Pusha will never make an Only Built 4 Cuban Linx. Ever. There is no chance. I am sorry to be the bearer of bad news.

  9. el-p remix…. nice contrast…interesting take on things…big fun!

  10. I very much agree with you here, Mr. Weiss. i like the first 2 versions well enough, moreso the second one - mainly b/c as you noted Pusha & Bun are just better at rapping than Naledge - but the El-P version just blows both of them out of the water. even if it is predictable; dude’s so good at his style/schtick that sometimes it works even when you know what’s coming. granted, a lot of the appeal to me is the context, that way he flips the original into another piece of his nightmarish puzzle, which wouldn’t be possible if the Kidz in the Hall hadn’t taken to the time to make a fairly boring song (with an admittedly cool beat) about cars in the first place. actually I think El-P’s kind of 2nd-hand commentary on his version is much more powerful than a lot of his own overt political raps.

  11. i dunno. i think he’s capable of it, weiss. of course, this doesn’t mean that it’s sure to happen. whenever he gets on his solo shit, he may end up like jadakiss [word up, beat generation] and deliver a slightly below-par record.

    but i’m rooting for the guy.

    as for padraig, you’re right on the money, dude. i agree with you 100%. even though he sorta did it better on “drive” [the line about fallujah has got to be one of the best of the past few years], the el-p remix of this song is clearly the best. let’s hope he doesn’t wait four more years to record another album.

  12. props for the lebowski reference.

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