Sunset Rubdown: Random Spirit Lover
I usually re-post my Stylus articles in their entirety here, but it feels wrong to to do so for this one, as seems to make a lot more sense over there. I told my editor, Todd Burns, it’s either one of the best things I’ve ever written for them or one of the worst. Hopefully, it’s the former, apologies for wasting your time if it’s the latter. Either way, this is a great record from what I consider to be one be the finest songwriters I’ve heard in a long long time. Even though their band name still sucks.
My Stylus Review of Sunset Rubdown’s Random Spirit Lover
Download:
MP3: Sunset Rubdown-”Up on Your Leopard, Upon the End of Your Feral Days”
MP3: Sunset Rundown-”Winged/Wicked Things”
From Shut Up I Am Dreaming
MP3: Sunset Rundown-”Stadiums and Shrines II”
From Sunset Rubdown EP
MP3: Sunset Rubdown-Three Colours II

October 16th, 2007 at 3:47 am
It’s the former. Great review. I loved this line in particular. “Krug is the rare songwriter capable of writing songs that can mean 1,000 things to a 1,000 people, an opacity that lends itself to a sort of timelessness that allows you to believe that if you play this in 50 years it’ll retain the same sort of mystery and magic that it holds today.” This album is def my AOTY and gets better with every listen.
October 17th, 2007 at 5:43 pm
It’s a good review but I don’t think it does the album much justice. You obviously love the record, as do most people who come in contact with it, but the problem is that you don’t say much about the album itself. All you seem to say is that it’s not too different from “Shut Up I Am Dreaming…” and “Apologies to the Queen Mary,” but I find it to be drastically different in many, many ways. It’s nice when reviewers inject their relationship with a record into their work, but if that’s all there is, it leaves the reader with confusion and any questions unanswered. This seems to be a big problem with reviews (for example, ANY pitchfork review). I think the point IS how it sounds. There are countless layers, instruments, synthesizers, vocal tracks, segues, key-changes, repeated themes, revisited lyrics, styles, approaches, and surprises. That is the magic of the album. Krug combines so many elements to create a thick and beautifully dense work of art that forces the listener to participate and react.