<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Sax on the Beach</title>
	<atom:link href="http://passionweiss.com/2006/04/10/sax-on-the-beach/feed/" rel="self" type="application/rss+xml" />
	<link>http://passionweiss.com/2006/04/10/sax-on-the-beach/</link>
	<description>Even when I was wrong, I got my point across.</description>
	<lastBuildDate>Mon, 21 May 2012 18:28:32 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
	<item>
		<title>By: Passion of the Weiss</title>
		<link>http://passionweiss.com/2006/04/10/sax-on-the-beach/#comment-490</link>
		<dc:creator>Passion of the Weiss</dc:creator>
		<pubDate>Tue, 11 Apr 2006 19:43:00 +0000</pubDate>
		<guid isPermaLink="false">http://passionweiss.com/?p=82#comment-490</guid>
		<description>Teddy Riley really had everything figured out for a good decade or so. Seriously, check out the man&#039;s wikipedia bio, it&#039;s incredible. He produced Slick Rick and Doug E. Fresh in the 80s not to mention the others ones. And as much as post-91, Michael Jackson was a punchline, I&#039;m definitely in agreement that Dangerous was one hell of a record, and Riley produced Remember the Time, still one of my ultimate videos of the all time (this is my next Monday video analysis for sure).&lt;br/&gt;&lt;br/&gt;It&#039;s funny, I was totally gonna&#039; mention your point about the video ho getting absurdly better looking each year through the 90s. I actually had taken notes on the video and written that same thought down. What the hell happened. Was the influx of money just able to make them attract a hotter caliber of video ho? I really don&#039;t understand how it happened. &lt;br/&gt;&lt;br/&gt;As for karoake, I feel Rumpshaker is the ultimate &quot;good call&quot;. There is no one who doesn&#039;t like that song. It&#039;s definitely the thinking man&#039;s early 90s rap karaoke choice. I&#039;m guessing the the non-thinking man goes with the more ironic choices of  &quot;Baby Got Back,&quot; or Tag Team&#039;s &quot;Whoomp There it Is.&quot; &lt;br/&gt;&lt;br/&gt;Hip Hop Karaoke choices are tough to get right. The truth is I&#039;m still waiting for the moment when I can bust out a karaoke duet &quot;I got a man,&quot; with a hot girl. That will make my life complete. &lt;br/&gt;&lt;br/&gt;I&#039;m gonna&#039; say it takes the second best prize for the Blind Alley sample, though Pink Cookies was definitely my favorite song off of 14 Shots to the Dome, an album that I definitely did not like much back in the day, at least compared to Wreck-N-Effects whole album which I actually really loved.</description>
		<content:encoded><![CDATA[<p>Teddy Riley really had everything figured out for a good decade or so. Seriously, check out the man&#8217;s wikipedia bio, it&#8217;s incredible. He produced Slick Rick and Doug E. Fresh in the 80s not to mention the others ones. And as much as post-91, Michael Jackson was a punchline, I&#8217;m definitely in agreement that Dangerous was one hell of a record, and Riley produced Remember the Time, still one of my ultimate videos of the all time (this is my next Monday video analysis for sure).</p>
<p>It&#8217;s funny, I was totally gonna&#8217; mention your point about the video ho getting absurdly better looking each year through the 90s. I actually had taken notes on the video and written that same thought down. What the hell happened. Was the influx of money just able to make them attract a hotter caliber of video ho? I really don&#8217;t understand how it happened. </p>
<p>As for karoake, I feel Rumpshaker is the ultimate &#8220;good call&#8221;. There is no one who doesn&#8217;t like that song. It&#8217;s definitely the thinking man&#8217;s early 90s rap karaoke choice. I&#8217;m guessing the the non-thinking man goes with the more ironic choices of  &#8220;Baby Got Back,&#8221; or Tag Team&#8217;s &#8220;Whoomp There it Is.&#8221; </p>
<p>Hip Hop Karaoke choices are tough to get right. The truth is I&#8217;m still waiting for the moment when I can bust out a karaoke duet &#8220;I got a man,&#8221; with a hot girl. That will make my life complete. </p>
<p>I&#8217;m gonna&#8217; say it takes the second best prize for the Blind Alley sample, though Pink Cookies was definitely my favorite song off of 14 Shots to the Dome, an album that I definitely did not like much back in the day, at least compared to Wreck-N-Effects whole album which I actually really loved.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Nate</title>
		<link>http://passionweiss.com/2006/04/10/sax-on-the-beach/#comment-489</link>
		<dc:creator>Nate</dc:creator>
		<pubDate>Tue, 11 Apr 2006 19:37:00 +0000</pubDate>
		<guid isPermaLink="false">http://passionweiss.com/?p=82#comment-489</guid>
		<description>Yes, the dangerous album was all sorts of awesome...Completely forgot that T.R. had a big hand in that one...Yep, Yep!</description>
		<content:encoded><![CDATA[<p>Yes, the dangerous album was all sorts of awesome&#8230;Completely forgot that T.R. had a big hand in that one&#8230;Yep, Yep!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Joey</title>
		<link>http://passionweiss.com/2006/04/10/sax-on-the-beach/#comment-488</link>
		<dc:creator>Joey</dc:creator>
		<pubDate>Tue, 11 Apr 2006 17:18:00 +0000</pubDate>
		<guid isPermaLink="false">http://passionweiss.com/?p=82#comment-488</guid>
		<description>In college, I wrote a piece once about how slept on &lt;i&gt;Dangerous&lt;/i&gt; remains. It might not be his best album, but there are so many quality songs on that joint.&lt;br/&gt;&lt;br/&gt;I recently did a karaoke rendition of &quot;Rumpshaker&quot; and the shit was blazing. It&#039;s always difficult to pick hip-hop songs for karaoke: with a general audience, you can&#039;t be too esoteric; with a hip-hop audience (a rarity), you can&#039;t be too obvious. And on top of that, you don&#039;t want to feel like some jerkoff hipster picking out some seductive &quot;other&quot; for the sheer irony of it. &quot;Rumpshaker&quot; could be seen as an unfortunate choice, but its enduring popularity seems to trump all other considerations. I can&#039;t think of any person who doesn&#039;t at least smile then this track comes on.&lt;br/&gt;&lt;br/&gt;And while talking about samples and repetition, it would be sacrilegious to compare this to &quot;Ain&#039;t No Half Steppin&#039;,&quot; but can we at least agree that this is perhaps the second-best use of the &quot;Blind Alley&quot; sample? Maybe third? I do like &quot;Pink Cookies in a Plastic Bag.&quot;</description>
		<content:encoded><![CDATA[<p>In college, I wrote a piece once about how slept on <i>Dangerous</i> remains. It might not be his best album, but there are so many quality songs on that joint.</p>
<p>I recently did a karaoke rendition of &#8220;Rumpshaker&#8221; and the shit was blazing. It&#8217;s always difficult to pick hip-hop songs for karaoke: with a general audience, you can&#8217;t be too esoteric; with a hip-hop audience (a rarity), you can&#8217;t be too obvious. And on top of that, you don&#8217;t want to feel like some jerkoff hipster picking out some seductive &#8220;other&#8221; for the sheer irony of it. &#8220;Rumpshaker&#8221; could be seen as an unfortunate choice, but its enduring popularity seems to trump all other considerations. I can&#8217;t think of any person who doesn&#8217;t at least smile then this track comes on.</p>
<p>And while talking about samples and repetition, it would be sacrilegious to compare this to &#8220;Ain&#8217;t No Half Steppin&#8217;,&#8221; but can we at least agree that this is perhaps the second-best use of the &#8220;Blind Alley&#8221; sample? Maybe third? I do like &#8220;Pink Cookies in a Plastic Bag.&#8221;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ian</title>
		<link>http://passionweiss.com/2006/04/10/sax-on-the-beach/#comment-487</link>
		<dc:creator>Ian</dc:creator>
		<pubDate>Tue, 11 Apr 2006 15:03:00 +0000</pubDate>
		<guid isPermaLink="false">http://passionweiss.com/?p=82#comment-487</guid>
		<description>Let&#039;s not forget the fact that he pretty much produced the entirety of Michael Jackson&#039;s &quot;Dangerous&quot; album.  That&#039;s probably a far bigger deal than anyone will give it credit for.  &lt;br/&gt;&lt;br/&gt;As for &quot;Rump Shaker,&quot; there&#039;s just too many awesome lines to quote.  I&#039;m thinking &quot;since you&#039;ve got the body of the year...&quot; and &quot;ticklin&#039; you around Delaware before I enter.&quot;  Good point about the fashions; I&#039;m pretty sure nobody looked good in the early &#039;90s, but this was something else.  Someone needs to do a study about the exponential growth in hotness of video ho&#039;s.  Just look at a video from 1995 and compare it to &quot;Big Pimpin&#039;&quot; or something.  It&#039;s astonishing.&lt;br/&gt;&lt;br/&gt;But perhaps my favorite part of this song is how that same sax sample shows up somewhere on &quot;It Takes A Nation Of Millions...&quot;  Not only that, but the drum sample from &quot;Tennessee&quot; is on there too.</description>
		<content:encoded><![CDATA[<p>Let&#8217;s not forget the fact that he pretty much produced the entirety of Michael Jackson&#8217;s &#8220;Dangerous&#8221; album.  That&#8217;s probably a far bigger deal than anyone will give it credit for.  </p>
<p>As for &#8220;Rump Shaker,&#8221; there&#8217;s just too many awesome lines to quote.  I&#8217;m thinking &#8220;since you&#8217;ve got the body of the year&#8230;&#8221; and &#8220;ticklin&#8217; you around Delaware before I enter.&#8221;  Good point about the fashions; I&#8217;m pretty sure nobody looked good in the early &#8217;90s, but this was something else.  Someone needs to do a study about the exponential growth in hotness of video ho&#8217;s.  Just look at a video from 1995 and compare it to &#8220;Big Pimpin&#8217;&#8221; or something.  It&#8217;s astonishing.</p>
<p>But perhaps my favorite part of this song is how that same sax sample shows up somewhere on &#8220;It Takes A Nation Of Millions&#8230;&#8221;  Not only that, but the drum sample from &#8220;Tennessee&#8221; is on there too.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Nate</title>
		<link>http://passionweiss.com/2006/04/10/sax-on-the-beach/#comment-486</link>
		<dc:creator>Nate</dc:creator>
		<pubDate>Tue, 11 Apr 2006 06:50:00 +0000</pubDate>
		<guid isPermaLink="false">http://passionweiss.com/?p=82#comment-486</guid>
		<description>Rump Shaker is the reason Jeff took a liking to a black chick in high school...&lt;br/&gt;&lt;br/&gt;But how amazing is Teddy Riley...He made the careers of Bobby Brown, Guy, Wrex &#039;N Effect, and Blackstreet. Definitely the king of New Jack Swing. Damn Gina!</description>
		<content:encoded><![CDATA[<p>Rump Shaker is the reason Jeff took a liking to a black chick in high school&#8230;</p>
<p>But how amazing is Teddy Riley&#8230;He made the careers of Bobby Brown, Guy, Wrex &#8216;N Effect, and Blackstreet. Definitely the king of New Jack Swing. Damn Gina!</p>
]]></content:encoded>
	</item>
</channel>
</rss>

